Art patrons gather in the entry hall, of the Park Ave. Armory during THE ART SHOW 2014. |
One of the many vintage military paintings in the Park Ave. Armory's entry hall. |
Very progressive artworks are also available at this fair. (above) Alexander and Bonin Gallery solo exhibit featuring Robert Kinmont |
Park Ave. Armory 1880's light fixture. |
ART
ADAA's
26th Annual
Gathering in NYC
"THE ART SHOW"
2014
The Art Dealers Association of America again hosted it's Spring exhibition for 2014, at the historic Park Avenue Armory, 630 Park Ave., at 67th St., NYC.
Always titled "THE ART SHOW", this definitive statement, in many ways, sums up the breadth of the selection of artworks in this 26th edition of their exhibition. Founded in 1962, ADAA is comprised of 180 galleries from 30 cities. To be selected to join this group, a US gallery must have been in business for at least five years and be considered by their peers as promoting the highest standards of art connoisseurship, scholarship and ethical practice. To stay in the association the galleries must follow a strict set of guidelines for ethical practice. To find out more about ADAA go to their website: www.artdealers.org.
The ADAA's art fair offers the ultimate selection of art galleries in the USA and the artworks they display span art history. If you live in the United States and want to own a Calder, a Picasso, a Jackson Pollock, a Diebenkorn, a Warhol or even one of today's living contemporary masters these are the galleries to call first. All art comes with a known provenance. The Art Show is very much like walking through a museum of the best art in the world, with the exception everything is for sale, from thousands ($) to millions ($). This makes a tour though this "museum-like exhibition" a very different fantasy - if you like something, you have the opportunity to take it home with you, if the price is right. As you take this virtual walk through the show, what masterwork would you buy to enjoy permanently on your wall?
(LeDray's miniature constructions are shown below.)
LeDray, originally from the Seattle area, and now in his 50's, makes miniature objects, mostly sewn reproductions of clothes. He sews and constructs everything completely by himself including all of the fixtures and accessories which accompany the clothes - the hanging rack, clothes hangers, wall hooks, tools, cement bricks, oven mitts, ties, pegboard, etc. - are all perfectly fabricated by LeDray in his small scale. It is uncanny and you almost feel sorry for the artist and the strain his eyes must be going through. If you ever have a chance to see his work, you should go! Charles LeDray's artwork was featured in a previous issue of ARTSnFOOD link: http://artsnfood.blogspot.com/2010/12/making-small-at-whitney-30-min-prep-no.html).
Relax and enjoy the 26th version of THE ART SHOW, 2014!
Charles LeDray, "Rainbow" 2012-2014 32" x 78" x 15.25", Sperone Westwater Gallery, NYC. |
Charles LeDray, "Assemblyman" 2006-2014 25.5" x 16.875", For scale: Compare the items on the peg board to the gallery information card, to the left, on the wall, which is about 2.5" x 4.5". That would make the wooden hanger about 5" wide. Sperone Westwater Gallery, NYC. |
Richard Diebenkorn, "Ocean Park" 1977, Gouache, watercolor and collage, 18" x 11.5" Van Doren Waxter / Eleven Rivington |
Richard Diebenkorn, "Untitled" c.1959-64, Gouache, ink and charcoal on paper Van Doren Waxter / Eleven Rivington |
Fairfield Porter, Katie in an Armchair, 1954, Oil on canvas, 65.5" x 46", Hirschl & Adler |
Fairfield Porter, Seated Woman, c.1942-43 Pencil on paper, 14" x 11", Hirschl & Adler |
Below is the information card posted by Hirschl & Adler, about the artist: Fairfield Porter.
Fairfield Porter, "Jerry" 1955 Oil on canvas, Hirschl & Adler |
Fairfield Porter, "Untitled" (Maine, Warehouses at Harbor) c. 1935-45 Watercolor, 12.5" x 22", Hirschl & Adler Modern |
Fairfield Porter, Sunrise, 1974-75, watercolor on paper, 30" x 22", Hirschl & Adler |
Jeronimo Elespe, "A.T. Smoking" Oil on aluminum 5.75" x 9.87" Van Doren Waxter Gallery |
Jeronimo Elespe, "The Other Ways" oil on aluminum 4" x 4" Van Doren Waxter Gallery |
Jeronimo Elespe, "Triple Room (4)" Van Doren Waxter Gallery |
Jeronimo Elespe, detail top "Triple Room (4)" Van Doren Waxter Gallery |
Jeronimo Elespe, detail bottom "Triple Room (4)" Van Doren Waxter Gallery |
Koji Enokura, "Intervention No. 1, 1987 Acrylic on cotton, wood beam, 97 7/8" x 131 1/4" Marian Goodman Gallery |
Pierre Bonnard, "Marthe et son Chien assise devant une table", 1930 oil on canvas, Acquavella Gallery |
Wayne Thiebaud, "Delta Farms", 2004, oil on board, Acquavella Gallery |
Wayne Thiebaud, "Drumstick Dinner", 2012 oil on canvas board, 14 7/8" x 29 7/8" Acquavella Gallery |
Cy Twombly, "Untitled" 1962 Oil, graphite and wax crayon on canvas 31.5" x 39.24" Acquavella Gallery |
Lucian Freud, "Small Figure" c. 1983-84, Oil on canvas 8.79" x 13", Acquavella Gallery |
Pierre Bonnard, "Apres le dejeuner", c.1920, oil on canvas 28 3/8" x 46", Acquavella Gallery |
Janet Borden Gallery Booth |
Alfred Leslie "Gustav Von Aschenbach", 2013 digital painting using photography and tablet Janet Borden, Inc. |
Alfred Leslie "Jonny Perry", 2013 digital painting using photography and tablet Janet Borden, Inc. |
Alfred Leslie "Mademoiselle De Maupin", 2013 digital painting using photography and tablet Janet Borden, Inc. |
Alfred Leslie "Miss Wonderly", 2012-14 digital painting using photography and tablet Janet Borden, Inc. |
Alfred Leslie "Bill DeKooning in 1966", 2011 Janet Borden, Inc. |
Bruce Nauman, "Untitled" head, 1989-90 Drypoint from one copper plate 17" x 19", ed. of 45 |
Jeff Wall, "Diagonal Composition no. 2" 1998 Transparency in lightbox Marian Goodman Gallery |
Jeff Wall, "Pipe opening" 2002 transparency in lightbox Marian Goodman Gallery |
Josef Albers, "Duo B" 1968 machine engraved vinylite mounted on wood 9" x 16 3/4" edition of 30 Brooke Alexander, Inc. |
Josef Albers, "Interlinear N 32, grey" 1962 Lithograph, edition of 10 Brooke Alexander, Inc. |
Josef Albers,1 "Interlinear N 32, grey" 1962 Lithograph (detail), edition of 10 Brooke Alexander, Inc. |
Ken Price, "Talisman to Avert Crashing" 1997 Watercolor, ink and guache on paper, 9" x 6" Brooke Alexander, Inc. |
Ken Price, "Untitled" bowl, 1991 Glazed ceramic, 3 1/4" x 11 3/4" Brooke Alexander, Inc. |
New paintings by Sarah McEneaney Tibor de Nagy Gallery |
Raymond Pettibon, "Untitled" 1984 ink on paper, 14" x 10 1/4" Brooke Alexander, Inc. |
Robert Kinmont, "26 Dead Animals," (detail) 1967-70 silver gelatin prints, ed. of 8 Alexander and Bonin Gallery |
Tonico Lemos Auad at CRG Gallery, NYC |
Tonico Lemos Auad at CRG Gallery, NYC |
Tonico Lemos Auad at CRG Gallery, NYC |
Tonico Lemos Auad at CRG Gallery (see detail below) |
(detail) Tonico Lemos Auad at CRG Gallery, NYC |
Tonico Lemos Auad at CRG Gallery, NYC |
Ann Hamilton portraits Carl Solway Gallery |
Artist/Photographer Ann Hamilton directs the unique portrait commissions she was taking at Carl Solway Gallery's booth during the exhibition. |
Ann Hamilton's art practice information. |
Ann Hamilton portrait commission. Carl Solway Gallery |
N.W. Indian Mask, Washburn Gallery, NYC |
N.W. Indian Mask Washburn Gallery, NYC |
N.W. Indian Mask, Washburn Gallery, NYC |
N.W. Indian Mask, Washburn Gallery, NYC |
N.W. Indian Mask, Washburn Gallery, NYC |
Plains indians, drawing on paper |
Art historian and New Yorker Magazine writer Adam Gopnik leads a debate as to whether "ART" is just an investment today or is "ART" still a worthwhile intellectual pursuit? Can these two approaches co-exist and do these two camps actually support each other. Gopnik's talk was sponsored by the Art Dealers Association of America during THE ART SHOW.
Read an account of Gopnik's discussion reported in an earlier issue of ARTSnFOOD, link:
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(Source: All photography of THE ART SHOW was taken for ARTSnFOOD with the permission of the galleries individually and the art fair management's press department.)
FOOD
A Great Homemade
Pizza Crust
Ingredients
- 1 cup plus 1 tbs mix of all purpose flour
- 1 cup plus 1 tbs mix of Italian grade "00" flour
- 1 tsp fine sea salt
- 3/4 tsp active dry yeast
- 1 tsp extra virgin olive oil
Instructions
- In a large mixing bowl, combine flours and salt
- In a small mixing bowl, stir together 1 cup of lukewarm tap water, the east and the olive oil, then pour it into the flour mixture.
- Mix and knead with your hands until well combined, (3 min) then let the mixture rest for 15 minutes.
- Knead rested dough for 3 more minutes.
- Cut into two equal pieces and shape each into a ball.
Place on a heavy floured surface, cover with a dampened cloth, and let rest and rise for 3 to 4 hours in the refrigerator.
- Remove the dough 30 to 45 minutes before you begin to make your pizzas
-Place each ball on a heavily floured surface and use your fingers to stretch it, then your hands to shape it into rounds or squares.
Margarita Pizza
Ingredients
- 3 Tbs tomato sauce
(To make sauce: In food process blend whole drained canned tomatoes, a splash of olive oil and a sprinkle of salt. Spoon onto pizza dough. Refrigerate and left-over sauce.)
- Extra Virgin Olive Oil
- 3 ozs of fresh mozzarella cheese
- Fresh Basil leaves
-Top with 3 Tbs of tomato sauce* and spread it evenly with the back of a spoon stopping 1/2 inch from the edges.
- Drizzle a little olive oil over the pie
- Break 3 oz of fresh mozzarella into large pieces and place these gently on the sauce.
- tear in two 4 or 5 fresh basil leaves and scatter over the top
- Using a pizza peel, slide the pie onto a HOT pizza stone in your oven. (Pizza stone should have been in oven's heating at highest heat for 1 hr prior to pizza being placed on it.)
- Bake until the crust is golden brown and the cheese is bubbling (est. 4 to 8 minutes in your oven on its hottest setting)
(Source: This recipe is an adaptation of a recipe from the New York Times Food Section, Wed. April 9, 2014, "A Little Homework" by Sam Sifton. www.NYTimes.com)
Until later,
Jack
ARTSnFOOD, is an online publication dedicated to "The Pursuit of Happiness through the Arts and Food." ™ All rights reserved for all content. Concept, Original Art, Original Text & "Original or Assigned Photography" are © Copyright 2014 Jack A. Atkinson under all International intellectual property and copyright laws. All photographs were taken and/or used with permission. Artworks © individual artists, fabricators, respective owners or assignees.
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