Wednesday, March 7, 2012

The Armory Show, Hold on to Your Hats - This is ARMORY ARTS WEEK in NYC (Preview & Selected Works)

ARMORY ARTS WEEK
SPECIAL REPORTS
THE ARMORY SHOW
Contemporary Fair: at Pier 94







LUCIANA BRITO galeria, Brazil

Selected artworks from the "Contemporary Fair" 2012 




Galerie Laurent Godin, Paris
Creating quite a buzz was Chinese artist Wang Du's, "Image Absolue."
30 life-sized white busts of Osama bin Laden form a circular shape on the floor. 


 Artist Fabrice Hyber at Galerie Jerome de Noirmont
 A piece showing a metaphorical balance of power and money.Created for the upcoming G20 Summit in Mexico next June.

The Armory Show is the "Main Event" during NYC Arts Week
and the crowds can rival a major sporting event.
It's great to see thousands of people enjoying contemporary art.

Sarah Sze silkscreened an "Eyechart" onto art paper, then cut out the letters creating this piece, an edition of 29. At Carolina Nitsch Gallery, New York.



Pencil drawing, "Double Portrait" at galerie hussenot, Paris

Girls, Girls, Girls
artist: Robert Lazzarini at Marlborough Chelsea
When I saw this piece, I was so excited to see an abstraction in neon, as opposed to another message in simple neon script by another artist.

Laura Lancaster, "Golem II"
Oil on Linen at Workplace Gallery, Gateshead, UK.

Nathan Mabry takes on Darth Vader
at Praz-Delavallade, Paris



The booth for Paul Kasmin Gallery, New York
Notice the neon fence (created by mirrors & going to infinity) on the right. Last year Paul Kasmin Gallery's full space was enclosed in and dedicated to 120+/- feet of the actual neon fencing. This clever version will fit into all NYC apartments or ships easily!

"Shadow Fear"
oil on linen by artist Tala Madani at Pilar Corrias Gallery

Tony Oursler, the artist who mastered projected images onto sculptural shapes, has gone miniature with his "Pyrite (Murphy's Law)" a 2011 piece shown at Lehmann Maupin Gallery, New York

LUCIANA BRITO galeria, Brazil
Their performance art / installation really drew a crowd!
Does the power of "Crystal Energy" work. The participants in white lab coats should know, each was given the opportunity to lay under the power of that pointed crystal for three, uninterupted hours.





FOOD
At the Armory Show

The food service at the Armory show was different this year, certainly more places to get something to eat, champagne or coffee. The theme was NYC taxi yellow on all of the chairs in all of the eating venues. The organizers are trying to feed this huge crowd and I give them credit. Because when some people sit down they are there for hours.


Photographs in this "show coverage section" are © Jack A. Atkinson, 
Copyright 2012 
and were taken with permission. The featured artworks are protected 
under international intellectual property and copyright laws, © individual artists, fabricators, respective owners or assignees.











Preview 
(Originally posted before the show opened.)
THE ARMORY SHOW
This Show is America's leading fine art fair devoted to the most important art of galleries showing 20th century masters and galleries featuring 21st century work by living artists. 
(March 8-11, 2012)

(Top) Pier 94 in NYC will be the venue for the Contemporary Armory Show
and (bottom) Pier 92 in NYC will be the venue for the Modern Armory Show







Every March, artists, galleries, collectors, critics and curators from all over the world make New York their destination during Armory Arts Week. The Armory Show has taken this opportunity to launch its first ever series of public programming in celebration of the City’s unparalleled artistic communities in a different neighborhood each night. Events include special receptions, open studios, art tours, museum discounts, performances, panels, artist discussions and parties.
The Armory Show and Armory Arts Week have always been essential in the annual art calendar. This year, The Whitney Museum of American Art’s 2012 Whitney Biennial, the Museum of Modern Art’s Cindy Sherman retrospective, The Generational, New Museum’s signature triennial, Dan Flavin: Drawing at The Morgan Library & Museum and John Chamberlain: Choices at the Guggenheim will all be on view. The Art Show, organized by the Art Dealers Association of America (ADAA), Moving Image, Scope New York, VOLTA NY and the third edition of Independent will again take place during Armory Arts Week.
For the VIP collectors who come with their checkbooks in hand, over twenty prominent NYC art collectors open their homes for private viewings. Also, VIPs have special sessions with collecting institutions and receptions with embassies and cultural consuls, including: the Austrian Cultural Forum, the Belgian Consulate, the British Consul General, the French Embassy, and the Swiss Institute.
We start our coverage with something new ARMORY PERFORMANCES which this year are curated by Jacob Fabricius.

Armory Performance 


The Armory Show will present the inaugural edition of Armory Performance, featuring artists active in the Nordic Region and in the United States. Performances will take place in The Wall Street Journal Media Lounge on Pier 94 and on the Fair floor. 

Schedule and programming as follows:
Wednesday, March 7, 2:00-2:30PM, 3:30-4:00PM
Kreppa: A Symphonic Poem about the Financial Situation in Iceland
By: Örn Alexander Ámundason, Performed by Metropolis Ensemble, Andrew Cyr, Artistic Director/Conductor 
The Wall Street Journal Media Lounge 
What does a financial collapse sound like? This is a question posed by the Icelandic artist Örn Alexander Ámundason in the 14-minute concert Kreppa. Ámundason, who has explored what happens when politics are transformed into music, has identified thirteen main protagonists, given each of them an instrument and transformed their voices into a music score. The resulting work is performed on Opening Day of The Armory Show in collaboration with Metropolis Ensemble. Kreppa is generously sponsored by Stund styrktarsjóður and the Icelandic Art Center. Metropolis Ensemble’s performance is generously sponsored by Robert Bielecki and Fast Orbit.
Wednesday, March 7, 5:30-6:30PM
Saturday, March 10, 10:00-11:00AM, 12:00-1:00PM
Amorphous Assemblage
Concept by Lilibeth Cuenca Rasmussen
White cocoons will be scattered throughout The Armory Show where living sculptures will emerge through a continuous transformation into various geometrical and amorphous shapes; the dancers within display the body as organic architecture. Participating dancers include: Amy Mauvan, Emily Keller, Emily Wong, Eunmi Yeo, Helen Louise Penn, Ida Nash, Liana Ruiz, Rie Komine and Shipra Saraogi. (Represented by Christian Larsen Gallery, Booth 914, Pier 94)
Wednesday, March 7, 6:00-8:00PM
OSLOO—A COLLECTION OF CENTERS—In New York
By: FOS 
The Wall Street Journal Media Lounge
Osloo is a floating pavilion that has taken place on several occasions, latest as part of the Danish Pavilion during the 2011 Venice Biennale. The platform hosted a range of programmed public events that all addressed the idea of public space under the theme “public spiritualism”. Osloo is a major manifestation of FOS’ practice that extends from large-scale installations and sculptures to music, performance and design, all brought together under the term “social design”. For the two-hour event at The Armory Show, FOS will recreate the model of the events at OSLOO in Venice under the title: A Collection of Centers. The program will include: The Neo-Relational Performance by D.O.R (NO/BE); in-between protagonist performance by Rastafarian H.C. Andersen; a small introduction to swarm intelligence; a lecture on patterns in music; “Small White Man” a music conduction. Musicians will include Michael Hanf, vibraphone; Rasmus Bille Bahncke, SH101; Pavel Kogan, guitar; David Mason, electric drums; Matt Parker, saxophone; Mikkel Hess, drums; Special appearance by Tiffany Roth (Midnight Magic) and Findlay Brown, musician. Production coordinator is Maibritt Borgen.
Thursday, March 8 through Saturday, March 10
SEE, SIT, SUP, SIP, SING: Holding Court
By: Theaster Gates, Pier 94 Café
From a table built with the unclaimed desks of an old elementary school on Chicago’s south-side named after the mythic Afro-Indian Revolutionary martyr, Crispus Attucks, this year’s Armory Show Commissioned Artist, Theaster Gates, will hold court for three days in the café on Pier 94, taking meetings, convening conversations, sharing space and making time. Gates says, “if the belly of whales and fiery furnaces can render men or women unscathed, then surely, I can have a few conversations from within the beast. I want to make space for my friends and ensure that some new friends meet old ones. Holding court seems the best way to do this and a much better use of my time than the winter sale at Barneys.”
Artist "Holding Court" will give us all time to reflect on the artist's engaging body of work. As the Armory Artist, we are excited to See, Sit, Sup, Sip & Sing with him.
History of The Armory Show
The Armory Show, housed in Piers 92 and 94 next to the West Side Highway and along the Hudson River, is the largest art fair in New York and one of the major annual art events of the world. Visited by tens of thousands of people annually, it is a showplace for some of the world’s most important modern and contemporary art galleries. Art giants from Picasso to Pollock have all been presented at the fair, as have, some of the most cutting edge artists of today. 

Founded in 1994 by a few art dealers as the Gramercy International Art Fair, after its initial location, the Gramercy Park Hotel. The Armory Show acquired its current title five years later when it moved to the  69th Regiment Armory on Lexington Avenue, where the legendary 1913 Armory Show took place. The original Armory Show became an important part of Art History by showcasing works by avant-garde European artists for the first time in the United States. That show has been credited as being the beginning of New York City's rise to become the "Art Capitol of the World". 

The fair moved to the west side piers in 2001. The piers are the characteristic part of Manhattan's visual make-up, with their finger-like structures poking-out on the maps of the island. Piers 92 and 94 are on the west edge of busy NYC midtown at 54th St. & 12th Ave. (Walk, take a cab or the crosstown bus heading west on 49th St.) The remaining piers, closest to the Armory Show, still serve as a hub for ocean-bound cruise ships which will be coming and going during the show.
The Armory Show is a fine art fair, where galleries from around the world rent booths to show either the work of living artists in the Contemporary Armory Show (Pier 94) or the work of 20th century greats in the Modern Armory Show (Pier 92).


(Source: Schedule, history, information and photos above all provided by the Armory Show Press Dept.)
We plan to make several posts during this week to try and cover the massive amount of art presented during Armory Arts Week in NYC. So check back during the fair and a few days after.

Until later,
Jack

POSTSCRIPT

Sharing something good.
TUPELO HONEY
I found a wonderful bee-keeper selling his home bottled honey along the road in Florida. I assume he can ship anywhere. For his sake and yours his contact information for fantastic, golden and smooth TUPELO HONEY (bees only are in an orchard of one specific Tupelo Tree flower). Enjoy:

Paul Evans
12333 Fountain Drive
Fountain , Florida 32438
(850) 381-7823

The bee-keeper told me, for some reason Tupelo Honey is the only honey which will never crystallize into sugar over time - but with the smooth, sweet flavor of this honey, I don't think it ever lasts long enough on the shelf for anyone to test that statement!

----------------------------------

ARTSnFOOD, All rights reserved. Concept & Original Text © Copyright 2012 Jack A. Atkinson under all International intellectual property and copyright laws. Images © individual artists, fabricators, respective owners or assignees.

Saturday, March 3, 2012

The Whitney Biennial 2012 + The Camellia Grill in N.O.LA.



ART
The 2012
Whitney Biennial
in NYC!
The Biennial is an exhibition held every two years at the Whitney Museum of American Art in which selected curators gauge the current state of contemporary art in America. 






This issue is our "overview".  For a better look at the artwork go to our "coverage issue" at this link:



Sculpture, painting, installations, and photography—as well as dance, theater, music, and film— now fill the galleries of the Whitney Museum of American Art in the latest edition of the Whitney Biennial. With a roster of artists at all points in their careers the Biennial provides a look at the current state of contemporary art in America. This is the seventy-sixth in the ongoing series of Biennials and Annuals presented by the Whitney since 1932, two years after the Museum was founded.






Museum visitors to the Whitney rest outside and contemplate the exhibition.






The 2012 Biennial took over most of the Whitney on March 1 and will run through May 27, 2012, with portions of the exhibition and some programs continuing through June 10, 2012. The participating artists were selected by Elisabeth Sussman, Curator/Sondra Gilman Curator of Photography at the Whitney, and Jay Sanders, a freelance curator and writer who has spent the past ten years working both in the gallery world and on independent curatorial projects. Sussman and Sanders co-curated the Biennial’s film program along with Thomas Beard and Ed Halter, the co-founders of Light Industry, a film and electronic art venue in Brooklyn.
PERFORMANCE SPACE - The Whitney’s fourth-floor Emily Fisher Landau Galleries has become a dynamic 6,000-square-foot performance space for music, dance, theater, and other events. This is the first Whitney Biennial in which nearly a full floor of the Museum has been given over to a changing season of performances, events, and residencies. Choreographers Sarah Michelson and Michael Clark will be in residence in March and early April; additional and changing Biennial residencies and events will be incorporated.




Sarah Michelson searches for form
through the history of dance.

THE WHITNEY BIENNIAL 2012
A few images - to give you a flavor of the exhibition.






Ferromagnetic liquid poured over plastic
with magnets & fans
This issue is an overview - For a better look at the artwork go to our coverage issue at the following link:


ALL WHITNEY BIENNIAL ARTISTS ARE LISTED IN OUR POSTSCRIPT SECTION.

March 1–11
Sarah Michelson’s dances are realized through the simultaneous artistry of her choreography, scenography, costumes, and lighting design. Physical elements, whether sculptural lighting structures, floors, or costume details, often recur from dance to dance much like choreographic phrases. Through such formal repetitions and their echoes within her ever-expanding practice, Michelson overtly compels the audience to think about the complex of relationships that fundamentally exist in dance—between the choreographer, the work, the signature (style), and the artistic legacy. All of her work is thus engaged in a searching dialogue with the form and history of dance.

The currently scheduled performances all sold out the first day of the biennial, but the museum has reserved a small number of tickets for people willing to stand in line "the day of" at the museum.

Film Screening: Luther Price











Known since the 1980s for his Super-8 films and performances, Luther Price has, in recent years, turned to 16mm film, creating new works from discarded prints of old documentaries, snippets of Hollywood features, and other examples of cinematic detritus. He re-edits the footage by hand, effaces the image through scraping, buries the films to rot and gather mold, and adds chaotic visual patterns using colored inks and permanent markers. For soundtracks, he frequently uses only the brutal electromechanical noise generated by sprocket holes running through the projector’s audio system. Each reel he produces is thereby a unique object, often altered to such an extent it struggles through the projector, as if playing out the end of film itself; his is a cinema that ecstatically embraces its death drive, so as to achieve maximum potency.






2012 Biennial Catalog is available at the Whitney Museum Shop for $45.00. 







The 2012 Whitney Biennial
is currently up at 
The Whitney Museum
of American Art
945 Madison Ave. at 75th
NY, NY 10021
For a list of artists included in this year's Whitney Biennial, along with brief bios and links to some of their websites, see our Postscript section at the end of this issue.

(Source: Photos of exhibition by Jack A. Atkinson, other videos, art and information came from the Whitney Press Release and their Press Department.)

FOOD
The Camellia Grill:
A Flavor of Old 
New Orlean
The impressive facade of The Camellia Grill.



I am still glowing from the romance of my recent visit to New Orleans and with the cuisine of South Louisiana. I would like to share one of the landmarks of New Orleans and one of my favorite places there, The Camellia Grill. The restaurant has a tall, neoclassical mansion facade, but the restaurant itself is, at most, 30 feet deep - with only enough room inside for a counter and an open kitchen squeezed-in behind.

Leon, working the Z at the Camellia Grill.

The service is first class and always done with a flair. When a simple glass of water is presented by the wait staff, they also pop the paper top off of the plastic straw and offer you the half covered straw as if it were a silver spoon. When you leave they give you their signature hand bump. The New Orleans lingo for being employed at the Camellia Grill is called "Working the Z". The food is their unique version of overindulgent Diner food. While there is no one signature dish, the "Chef Special Omelet" is a house specialty: turkey, bacon, ham, onion, Swiss & American cheeses, plus chopped-up French fries all incorporated inside and then topped with the house chili. The lighter than air eggs holding it all together are whipped in a blender. Remember, eating the entire huge portion, is up to you. Seeing how smoothly and how much fun the staff has working there, is half of the joy of going to the Camellia Grill.

Since 1946, there have been an eclectic mix of locals, tourists, and students from Tulane University (just blocks away) seated at the counter.

(The Camellia Grill is located at the bend in the St. Charles Street Car line where St. Charles and Carrolton Avenues meet. 626 S Carrollton Ave., New Orleans, LA 70118 • (504) 309-2679 ) http://www.camelliagrill.net/home.htm

Make your own Camiellia Grill Sandwich and have a New Orleans experience at home. 

The Camellia Grill Special Sandwich:
Light Rye Bread, toasted
1 Thick Slice of Fresh Ham
1 Thick Slice of Fresh Turkey
1 Slice of Quality Swiss Cheese
1 Tbsp Home-Made Cold Slaw
Coat both pieces of bread with:
Thousand Island Dressing

Build the sandwich and slice in-two on the diagonal, serve!

(Source: Photos, recipe and information came from a personal visit by Jack A. Atkinson + some information came from the Camellia Grill web site.)

Until later,
Jack

POSTSCRIPT
THE 2012
WHITNEY
BIENNIAL'S
ARTISTS:

Kai Althoff 
Born 1966 in Cologne, Germany; 
lives and works in New York, New York 

Thom Andersen 
Born 1943 in Chicago, Illinois; 
lives and works in Los Angeles, California 

Charles Atlas 
Born in 1949 in St. Louis, Missouri; 
lives and works in New York, New York 

Lutz Bacher 
Born in the United States; 
lives and works in Berkeley, California 

Forrest Bess (by Robert Gober) 
Born 1911 in Bay City, Texas; 
Died 1977 in Bay City, Texas 

Michael Clark 
Born 1962 in Aberdeen, Scotland; 
lives and works in London, England, and 
New York, New York 

Cameron Crawford 
Born 1983 in Boulder, Colorado; 
lives and works in New York, New York 

Moyra Davey 
Born 1958 in Toronto, Canada; 
lives and works in New York, New York 

Liz Deschenes 
Born 1966 in Boston, Massachusetts; 
lives and works in New York, New York 

Nathaniel Dorsky 
Born 1943 in New York, New York; 
lives and works in San Francisco, California 

Nicole Eisenman 
Born 1965 in Verdun, France; 
lives and works in New York, New York 

Kevin Jerome Everson 
Born 1965 in Mansfield, Ohio; 
lives and works in Charlottesville, Virginia 

Vincent Fecteau 
Born 1969 in Islip, New York; 
lives and works in San Francisco, California 

Andrea Fraser 
Born 1965 in Billings, Montana; 
lives and works in Los Angeles, California 

LaToya Ruby Frazie
Born 1982 in Braddock, Pennsylvania; 
lives and works in New Jersey 

Vincent Gallo 
Born 1961 in Buffalo, New York; 
lives and works in Los Angeles, California 

K8 Hardy 
Born 1977 in Fort Worth, Texas; 
lives and works in Brooklyn, New York 

Richard Hawkins 
Born 1961 in Mexia, Texas; 
lives and works in Los Angeles, California 

Werner Herzog 
Born 1942 in Munich, Germany; 
lives and works in Los Angeles, California 

Jerome Hiler 
Born 1943 in Jamaica, New York; 
lives and works in San Francisco, California 

Matt Hoyt 
Born 1975 in Mount Kisco, New York; 
lives and works in Yorktown Heights, New 
York 

Dawn Kasper 
Born 1977 in Fairfax, Virginia; 
lives and works in Los Angeles, California 

Mike Kelley 
Born 1954 in Detroit, Michigan; 
Died 2012 in Los Angeles, California 

John Kelsey 
Lives and works in New York, New York  

John Knight 
Born 1945 in Hollywood, California

Jutta Koether 
Born 1958 in Cologne, Germany; 
lives and works in New York, New York 

George Kuchar 
Born 1942 in New York, New York; 
Died 2011 in San Francisco, California 

Laida Lertxundi 
Born 1981 in Bilbao, Spain; 
lives and works in Los Angeles, California 

Kate Levant 
Born 1983 in Chicago, Illinois; 
lives and works in Detroit, Michigan 

Sam Lewitt 
Born 1981 in Los Angeles, California; 
lives and works in New York, New York 

Joanna Malinowska 
Born 1972 in Gdynia, Poland; 
lives and works in New York, New York 

Andrew Masullo 
Born 1957 in Elizabeth, New Jersey; 
lives and works in San Francisco, California 

Nick Mauss 
Born 1980 in New York, New York; 
lives and works in New York, New York 

Richard Maxwell 
Born 1967 in West Fargo, North Dakota; 
lives and works in New York, New York 

Sarah Michelson 
Born 1964 in Manchester, England; 
lives and works in Brooklyn, New York 

Alicia Hall Moran 
Born 1973 in Redwood City, California; 
lives and works in New York, New York 

Jason Moran 
Born 1975 in Houston, Texas; 
lives and works in New York, New York 
Laura Poitras 
Born 1964 in Boston, Massachusetts; 
lives in New York, New York, and works 
internationally 

Matt Porterfield 
Born 1977 in Baltimore, Maryland; 
lives and works in Baltimore, Maryland 

Luther Price 
Born 1962 in Marlboro, Massachusetts; 
lives and works in Revere, Massachusetts 

Lucy Raven 
Born 1977 in Tucson, Arizona; 
lives and works in Oakland, California, and 
New York, New York 

The Red Krayola 
Founded 1966 in Texas 

Kelly Reichardt 
Born 1964 in Miami, Florida; 
lives and works in New York, New York 

Elaine Reichek 
Born 1943 in New York, New York; 
lives and works in New York, New York 

Michael Robinson 
Born 1981 in Plattsburgh, New York; 
lives and works in West Danby, New York 

Georgia Sagri 
Born 1979 in Athens, Greece; 
lives and works in New York, New York 

Michael E. Smith 
Born 1977 in Detroit, Michigan; 
lives and works in Detroit, Michigan 

Tom Thayer 
Born 1970 in Chicago, Illinois; 
lives and works in New York, New York 

Wu Tsang 
Born 1982 in Worcester, Massachusetts; 
lives and works in Los Angeles, California 

Oscar Tuazon 
Born 1975 in Seattle, Washington; 
lives and works in Paris, France 

Gisele Vienne, Dennis Cooper, Stephen 
O’Malley, and Peter Rehberg 
Vienne: 
Born 1976 in Charleville-Mézières, France; 
lives and works in Grenoble, France, and 
Paris, France 
Cooper:  
Born 1953 in Pasadena, California; 
lives and works in Los Angeles, California, 
and Paris, France 
O’Malley: 
Born 1974 in New Hampshire; 
lives and works in Paris, France  
Rehberg: 
Born 1968 in London, England; 
lives and works in Vienna, Austria 


Frederick Wiseman 
Born 1930 in Boston, Massachusetts; 
lives and works in Boston, Massachusetts, 
and Paris, France 


ARTSnFOOD, All rights reserved. Concept & Original Text © Copyright 2012 Jack A. Atkinson under all International intellectual property and copyright laws. Images © individual artists, fabricators,respective owners or assignees.